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So far Kai Staats has created 568 blog entries.

Without a Box

The Fall Guy
Earlier this year I met “Ed” who had setup an interview for my friend “D” with a particular City of Phoenix official. Barrel chested, chisel cut and strong, especially for his sixty+ age, Ed was like no one I had ever met.

Conversation with Ed from parking meter to the upper floors of the City government building revolved almost entirely around his work in Hollywood as the stunt double for one, very famous actor.

Ed did not fail to remind me nor D how much of a favor he was doing for her by making this introduction. Anyone else, he explained, would wait weeks to gain the attention let alone a meeting of this particular person. Ed pointed to the security cameras, the guards, the locked doors–all of which we passed with relative ease due to the people he knows and the trust they have in him.

I took all of this in stride, intrigued by this strong bodied and strong willed man who was keen to make clear his position with or without solicitation. Even if a bit overwhelming, I enjoyed the hour for Ed was also complimentary, in a fatherly manner, when it came to his emphasis that D would succeed if she focused and continued to move her life in a chosen direction.

At the end of the interview, Ed escorted the two of us back to my car, a little more than two blocks North of the City building.

The Hang Man
In the interest of his time in Hollywood, I invited him to attend the public screening of this year’s first Almost Famous Film Festival event. He glanced at the license plate on my car and incorrectly assumed the event was held in Colorado, quick to state “I won’t go there.”

I asked, “To Colorado? Why?” thinking he had an outstanding speeding ticket or perhaps an ex-wife who would hunt him down if she so much as smelled him within a thousand mile of her home. I could see that, given a strong predilection for stating his opinion.

But instead, Ed replied, “It’s about upholding my ethics.” Ed paused to look at the tips of his fingers and chew a blade of something which had found its way to his mouth. He looked at the sky and then back to me and D. “Too many goddamn liberals in Colorada. I told myself I will never set foot in that State again, not as long as Colorada is overrun with them kinds of people.”

I didn’t know if I should laugh or turn and run, but I was pleased to have cut my hair a few years earlier. I silently hoped he hadn’t noticed the foreign origin of my car.

He took a deep breath, leaned against the back of his white Ford pickup truck, head back and eyes narrowed into a tight focus, elbow propped on the closed tailgate, “You know what I got in the back of this truck?”

Oh shit. In broad daylight I was noticeably nervous that he had something in the back of his truck I didn’t want to see. Neither I nor D responded, which was in retrospect the best possible reaction.

“A rope.” He paused again, for effect I am certain. “A rope for hang’n. You see, in the old days, I would’a used it for hanging just about anyone if they crossed me, if you know what I mean.”

Ed glanced at D who is of African ethnicity, and my amusement was fully replaced with a very uncomfortable feeling. I considered the implications of what he had said with a sense of horror and at the same time belief that his story likely carried a Hollywood flair, perhaps a slight confusion for the movies in which he had acted and his real life.

“But I learned a thing or two and I have changed my ways. I don’t think like that any more. But I’ll still use it, ’cause there are plenty of folk that still need a hang’n. If you do something wrong, and I catch ya, I’m gonna use it, understand?”

This was not exactly the sort of thing I was used to hearing on the streets of Phoenix. Then again, I could not think of a better place in which to receive a live, serious Eastwood monologue outside of Dodge.

“You see, I ain’t afraid to do what’s right, to stand my ground and fight for what I believe in. I ain’t gonna go to Colorado no more ’cause it lost its way. On the principal of who I am, and I gotta stand by my principals, I won’t go there.”

“And just the same, I’ll hang a man for crossing me or anyone I care about and protect. I care about her mother

[pointing to D] and I will protect both of them with my life.”

Neither D nor I knew exactly what to say. I shifted my weight from one foot to the other and back again, looked at the top of my shoes and the backs of my hands as my fingers sought solace in just keeping busy.

I returned to the original subject saying, “Well, fortunately for you, the film festival is held here in Phoenix, if you remain interested. You are more than welcome to attend.”

He stated he just might do that, but maintained an out with “I am a busy man. We’ll see what I can do.”

We shook hands, said goodbye, and then D and I returned to the front seats of my car.

Building a Box
In that exchange, my mind was filled with momentary images of Hollywood westerns which both glorified and demonized hangings. I looked at this man, took a deep breath, and instead of arguing in an attempt to open his narrow view of the world–I placed him in a box.

The box I envisioned was not of my own fabrication, rather, of his design. Ed lived in a carefully constructed, thick walled box in which his world view was perfectly clear. He new his purpose, his rules of engagement, and the boundaries which encompassed those he cared for and protected, even if the means were … harsh.

It was at first difficult for me to not judge him, to keep from recoiling, throwing up my own defenses. But when I allowed myself to see this box within which he lived, it gave me the ability to instead see the practicality, even the value in the principals which he employed.

Ed has ethics. He has morals. He stands by them to the end. That understanding is what I chose to take with me as I departed from the otherwise obscure venture into yesteryear in downtown Phoenix, Arizona 2010.

Without a Box
Since this time, I have used the construction of a visual box in several occasions to help me react less and to respond more. These boxes are not my attempt to define people against my own insecurity nor for my personal safety, for we all live in boxes of various sizes, thicknesses, and opacity. Rather, it is a means of placing myself in their box with hope to see the world as they may see it. It is a simple, visual tool to help me, for if I lighten the burden of brick and mortar, discover a door, window, even a small ventilation shaft, I may improve my understanding and ultimately, our mutual communication.

Sometimes I see thick walls of concrete, stone, or brick. Sometimes I see wood, paper, or glass. But what has been the most challenging is when I meet someone whose box is wide open, the sides laid flat or the top removed. When I meet someone who lives seemingly without a box, I find that I recoil in fear from the realization that my own set of walls remain thick and impenetrable by comparison.

I remain afraid to let go of my own rules, my own reasons why I can or cannot engage. I too feel the safety of my box, and challenge those who appear to have none as readily as those who do, for if I find evidence of their boundaries, their apparent perfection will falter and I in comparison will not be so far from the truth.

To live life without a box is perhaps the greatest challenge of all, for it means moving through this world without self-declared affiliation to the left or right, Democratic or Republican parties, Christian, Jewish, Muslim, or Hindu faiths. To remove the walls and corners is to simply say “I am …” and leave it at that. No further explanation is required when one chooses to trust that whomever stands before you will gain what they need to know about you by the very nature of your transparency.

By |2017-04-10T11:17:45-04:00April 23rd, 2010|At Home in the Rockies|0 Comments

The Making of a Home Network Haven

Introduction
Everynowandagain I return to my geek roots. Today was one of those days where instead of doing real work, the stuff I knew was important, I felt I deserved a Saturday to just play. And play I did.

I now have a fully networked, shared file and mixed media distribution system in my home comprised of just 4 components: LinkSys wireless router, Western Digital “MyBook World Edition” NAS box, and 2 Sonos ZonePlayers.

While NAS boxes and Sonos are not new, it’s the WD My Book Linux backend that makes this combination exceptionally powerful. I was able to use the well designed WD web (IP) interface to create a limited access user account with which I am able to use rsync from Linux workstation or laptop for routine backups. It’s slow, but completely command-line compliant and functional.

And with support for FTP, NFS, CIFS, and SSH, the WD product line is very well designed. Marketed as an easy-to-configure home user product (which it is), the behind-the-scenes functions make this an exceptional, powerful, and fully configurable storage solution, complete with a secure, remote access service through WD’s MioNet.

Configuration
While the WD box automatically obtains an IP address from a DSL or Cable router (use the included WD configuration software or monitor the DHCP provision logs to determine your drive’s obtained IP address), it is important to note that the Sonos boxes do NOT use IP routing as a means of talking to NAS boxes. Rather, Sonos uses the Windows based SMB file sharing protocol which requires a path name, as described in this document.

Before you start the setup, you’ll need some information from your NAS. Sonos finds and accesses a NAS drive using a standard network path \\Name\Sharename

Name is the network name of the NAS and Sharename is the top level shared folder on the NAS. You can usually find this information in the NAS drive’s configuration page or in any configuration software that may have been included withyour NAS.

However, the WD web interface did not make this path clear. It was through some experimentation that I determined the path to be the name I had given the drive:

Basic Mode –> Device Name

… followed by the directory in which the music would be stored, “Public” for:

\\ots-nas\public

According to Sonos’ documentation (above), To add this path to Sonos:

  1. Open the Sonos Desktop Controller, click on the Music menu, and select Set Up Music Library.
  2. Click Add a Share (Add if you’re using a Mac) and select Add music stored in folders that are currently shared on my network.
  3. Type the network path for the music folder or click Browse to search for it. If it is not shared anonymously, enter the user name and password of a user with permission to access the folder and click Next.
  4. Click OK to confirm.

Satisfaction
In OSX I was then able to use a the WD backup software or any software package that allows for the entry of a path name or IP address to access the drive, and from Linux either Nautilus graphical file manager or command line.

Once fully configured and all my music copied to the Western Digital NAS box, my home theater experience is phenomenal, more than 600 high quality rips available at my finger tips, using the Sonos app for my Apple iPod or Android phone.

By |2017-04-10T11:17:45-04:00April 18th, 2010|Critical Thinker, Humans & Technology|0 Comments

A Time for Climbing

Adele Gant on Gunsmoke Traverse Kai Staats on Chube, Joshua Tree; photo by Adele Gant Luke, Joshua Tree; photo by Adele Gant Kai Staats, J-Tree; photo by Adele Gant Kai Staats fingers bleed; photo by Ben Scott
Kai Staats, J-Tree; photo by Adele Gant Snow in J-Tree Coyote print in snow, J-Tree Snow melt drop
Kai Staats on Chube, J-Tree; photo by Ben Scott Ben Scott on Saturday Night Live Ben Scott on Planet X Ben Scott on So High Rob Miller on Diary of a Dope Fiend; photo by Ben Scott Rob Miller on Streetcar Named Desire; photo by Ben Scott Kai Staats on aret, South Mountain Park, Phoenix, Arizona; photo by Ben Scott

Fulden Cetin at Akyarlar, Turkey

From the South Coast of Turkey to Phoenix’s South Mountain; from Joshua Tree National Park to Red Rocks State Park, Nevada, I have been fortunate to enjoy a tremendous three months of climbing.

Not just climbing, no, but ample time on rock to remain physically strong and spiritually engaged. I entered a gym just a few times, and found renewed passion for the out-of-doors.

I pressed hard, completing problems which had eluded me countless times before. I tried new problems, both succeeding and failing. And I worked through routines which my hands and feet traversed without eyes. The silence and solitude of sitting atop a boulder can be as strength building as the effort to obtain that position.

Kai Staats on Diary of a Dope Fiend; photo by Ben Scott

There were painful moments when too much skin detached from my fingers too fast. And there were elated moments when what felt impossible became possible, even repeatable, the internal wiring of my body-mind forging new pathways which replaced, “I don’t know if I ever will …” with “I can!” and “I did!”.

There were afternoons in which I was surrounded by a multitude of people followed by evenings in which I was alone in my tent. The rain and snow reminded me that the most cherished things in life are often the simplest: warm, dry clothes, nourishing food, and a safe place to sleep. Nearly every night in J-Tree I took long walks seemingly alone but for the coyotes celebrating the rise of the moon over the desert mountain ridges.

Rob Miller; photo by Ben Scott

During my second trip to J-Tree, I was in the presence of Bennett Scott and Rob Miller, each a master of climbing in their own regard; each climbing from a place of personal power. Most memorable were the intense, stimulating, and truly opening conversations we carried while piecing together Diary of a Dope Fiend high on a shaded ridge. I came away from that time with an improved understanding of the potential in climbing, and a renewed passion to fulfill that understanding with my own ability.

Ben Scott on In-n-Out burgers :)

Of course, there was laughter. A lot of laughter. That’s the stuff that binds the entire experience, a funny sort of glue that gives memorable form to the otherwise discombobulated string of events.

Thank you Fulden, Jae, Mom & Dad, Luke, Matt & Adele, Ben, Rob, Mike and Steve. It was a good three months, a good time for climbing.

By |2017-04-10T11:17:45-04:00March 10th, 2010|From the Road|1 Comment

20th Annual Hoop Dance Contest

I was pleased to have the opportunity to once again be engaged by this year’s Native American Hoop Dance competition held at the Heard Museum in Phoenix, Arizona. This astounding event is rich in history, honor, energy, and creativity. If ever in Phoenix in February, I highly recommend you attend. It’s like nothing you have ever seen … or heard before.

By |2010-03-12T22:47:01-04:00February 15th, 2010|From the Road|0 Comments

Update from Morokoshi, Kenya

On 2010-02-04 Steve Muriithi, Morokoshi founder wrote:

I have read a lot of what the good work that your group is trying to do for our people. this is so encouraging and i m personally so happy of all your plan. The school is doing great and im hoping to change the legacy of the area and we become the best in this area … The second maize is doing great and we may harvest at the end of this month. Everybody and the new parent are doing well. say jambo to all.

By |2017-04-10T11:17:45-04:00February 5th, 2010|2010, Out of Africa|0 Comments

The Red Wood, a photo essay

cone

East Bay Redwood Park, a photo essay
I enjoyed a brief walk on the main trail which circumnavigates East Bay Redwood Park, Oakland, California, from the Skyline drive staging lot to the Chabot Space & Science Center.

Along the path I stopped to take a few photos (above). In the following I share some of my thoughts for why I captured these, and how they affect me. All were shot on a Nikon D50 with a Nikon 18-55 lens.

In general, the overcast sky between 3 and 5 pm was ideal, presenting limited shadows and an even, ambient light which encouraged the colors to pop. All photos were altered in post, mostly to remove some blue in order to present the photos more as they appeared to me.

moss-2 and 3: I never tire of photographing moss. It doesn’t try to run away. Moss presents a rich texture often wrapped around a surface, offering a dynamic color gradient. The right-most of the two shots is turned -90 degrees as I really like how the dark background sits heavy over the green, as though the two are in battle for the light.

cone: I found this still-life composition along the trail. I knelt in the wet needles and mud and shot this for nearly ten minutes until I felt I had found the right distance and angle. I enjoy the contrast of the texture of the three media: lichen, needles, and pine cone. The color was enhanced a bit beyond that which I perceived on the trail, my effort to reveal the hidden reds which are otherwise lost in what we too readily refer to as a green arena.

bear: Hey, it looks like a bear’s face. I couldn’t help myself :)

flowering: These flowers are just now popping, maybe one in twenty. Very complex structures up close, which work to remind me how much of high school life sciences I have forgotten. To say I recall more than the word “stamen” would be a lie. But what I intended, and did capture, is a very limited amount of material in focus against a backdrop of artifacts created by a short focal length (4.5fs, 30/s, ISO 800).

exposed, fallen-1 … 3: In these three shots I found varying degrees of tree “flesh”. The left-most “exposed” is a healthy, living tree whose bark has peeled back, revealing the hard wood beneath. But it appears to have oosed from some incredible pressure, and if it were not wood, should be soft and gooey.

The middle two are a portion of a massive tree which fell quite recently. Both of these reveal a very vulnerable yet living tissue, the meat of the monster which seems too large, too strong to have toppled. While I have walked passed, climbed on, even climbed into many fallen trees, it never quite feels right. I am reminded that we will all fall, and could fall any day–young, healthy, and vibrant.

“fallen-2” is the most interesting to me for had I simply shown this to you, without explanation, would you know it was wood?

The right-most (fallen-3) is from a place just below and to the left of where the trunk snapped and split, the bark nearly meeting the exposed flesh. It is rich in color and contrast, the overlapping plates of bark a barrier to so many potential attacks, but not against gravity. Gravity always prevails victorious.

leaves and leaf: Two very different kind of leaf structures. One nearly silver and flat; the other dynamic, flawed, and in a state of change. It seemed that if I held the leaf for just a few minutes more I would witness its further decay or spontaneous combustion into brilliant flame.

By |2017-04-10T11:17:45-04:00February 2nd, 2010|From the Road|1 Comment

A Day of Honorable Mention

Today I had the pleasure of meeting two most note worthy people: Hugh Downs and James Alexander.

Hugh Downs

My brother Jae of BallBoy Productions works with the Phoenix Children’s Museum, a place for play and interactive learning. Today I assisted him with the interview of Hugh Downs, formerly of the evening news program 20/20.

While our time with Mr. Downs was not extensive, there was a distinct honor in meeting him. His face, his voice, his demeanor were all of a man whose endeavors in life have given him a certain presence, and being in that presence for just a moment was an honor.

Thank you Mr. Downs for sharing your voice.

This afternoon SpanAfrica co-Director Brad and I enjoyed an extensive conversation with James Alexander, a gentleman who has devoted twenty six years of his life working through not-for-profits to help people in need. He met his wife in the Peace Corp, both his children were born Africa where he lived for twenty one years, and even now he continues to devote his life to a similar line of work.

Last year Mr. Alexander was a recipient of the Nelson Mandela Freedom, Peace and Unity Award from the African Alliance of Rhode Island, a means of honoring the incredible work he has done.

Even by means of a less than clear phone connection, he instilled a sense of power, peace, and trust through his words. I found that when the call was complete, I desired to meet him, to travel with him, to learn from him, for the vision he imparts is not that of a need for electricity or running water for individuals, rather the needs of entire regions in order that the people as a whole may rise to a higher level. Mr. Alexander understands how to work with people, to raise their capacity as nation.

Thank you Mr. Alexander for sharing your vision.

By |2017-04-10T11:17:45-04:00January 28th, 2010|From the Road|0 Comments

Simply because I can

As there may come a day when I am no longer able to stand, when I am unable to do more than watch others move across the land, this is what I do, simply because I can:

I stand when given an option to sit.

I walk when others choose to stand.

And I run whenever I am able, simply because I can.

By |2010-01-25T16:13:50-04:00January 25th, 2010|The Written|0 Comments

Man and his Symbols

Do not read this entire entry. Not just yet. Take a few moments to look beyond the words in front of you and to the framework of your web browser. What do you see?

A button for BACK and FORWARD, RELOAD and HOME. Perhaps another set of signs for OPEN, PRINT, and ATTACH. These signs are universal to those who have used a computer, independent of their native spoken or written language.

The HOME button is not likely to invoke an emotion for you, no matter how many times it is pressed. Use the OPEN button to load a photo of your parents, sibling, child, best friend, or favorite vacation spot and you may experience a rush of emotion, even a warming of the skin on your face, hands, and in the center of your abdomen.

Now take a moment to look beyond your web browser, and around the room in which you reside. What signs do you see? Perhaps ones which direct you to the restroom or exit? There may be others which ask you to refrain from smoking, or to remove your shoes, or to turn off your mobile phone.

Relatively benign communications which offer information and direction more than motivation or stimulation of emotion. But what if we were to replace those signs that instruct how to abide by the rules of that public place and replace them with signs that hold entirely different, perhaps symbolic meanings?

Cafe 666
Imagine that you visit an internet cafe to enjoy a cup of coffee and to catch up on email. The coffee is fresh. The staff are responsive and polite. You sit back in a large, soft sofa, and with your first sip, your eyes rise from the lip of your mug only to be immediately taken by an odd assortment of images painted on the walls of the cafe. You look twice to make certain you are seeing things correctly. You set down your coffee.

A swastika juxtaposed to a Christian cross. A sickle and hammer. A pink triangle and stiff middle finger erupting from a closed fist. A fist raised high with sleeves rolled back aimed at a human eye. A large, erect phallic pushing up from the center of a flower. The numbers ‘666’ displayed too often, too large for your own comfort.

What kind of establishment have you entered? Suddenly uncomfortable, you ask for the coffee remaining in your mug to be transferred to a take-out cup and you depart. Amazing, isn’t it, how the simple assembly of shapes color can have such control over our emotions, even our sense of comfort and safety.

Power in Symbols
Why do the police across the world spend money to erase gang graffiti as quickly as it is painted on the sides of buildings? Why will a middle finger raised in impolite salute invoke a physical fight? Is it anything more than skin, muscle, and bone moving in a controlled fashion? You did not throw an object, nor touch another person, and yet, the offense of such an act may be treated as harshly as if you had in fact caused bodily harm.

When does a sign become universal? Can a universal sign become symbolic?

The news in the U.S. is often rich with discussion of freedom of speech and of the press, the boundaries within which we are allowed to talk and write sometimes gray. But consider the power of signs were you to walk down the street of any city or town in any country with a poster which portrayed a gun juxtaposed to a photo of the President. How long would it take before you were interrogated by the police?

I do not intend to uphold this action, rather to showcase with clarity the power held by relatively simple shapes arranged in a particular manner as a means of invoking very strong emotion, even physical response by those who behold them.

Some cry at the sign of the Christian cross, so deep does their faith run; others salute the crest which represents a branch of the armed forces, so strong is their tie to their country. Some will kill to defend a word which is sacred or holy. Riots break out and more than 100 die following the satirical depiction of Islam’s profit Muhammad. An artist is heavily criticized for placing a Christian cross in a bottle of urine. An anonymous artist helps to relieve the tension in highly dangerous, gang ridden streets of Rio de Janeiro by painting the sides of buildings and the fronts of steps with massive images of women’s faces. The face of Mother Mary is discovered in a stone or a loaf of bread and people travel from great distances to see this miracle.

The Nike ‘swoosh’, the Apple ‘apple’, the United Nations ‘UN’, and the United States ‘$’ hold international recognition. If I recall correctly, a ban was placed on advertising cigarettes within 2000 feet of a school when it was learned more school-age children in the U.S. recognized the face of Joe Camel than that of the President, Martin Luther King, or Mickey Mouse.

San Juan River, Navajo Nation

Past, Present, & Future
Humans have for millennia used signs and symbols in art to tell stories, to invite or scare away spirits, to provide directions to travelers. Some sign systems evolved into written language, as with the hieroglyphs of ancient Egypt. Others, as far as we know, told a story without the implicit structure of language, conveyed even in relative simplicity.

The power of the ancient Native Americans draws attention, even fear among the modern peoples of the American Southwest. Why have modern Navajo desecrated the faces, necks, and arms of particular rock art on the Northern boundary of their Nation, along the San Juan river? Why does this act yet invoke a sense of awe, even a chill on a warm, summer day as though a cloud bank had for a moment covered the sun?

Perhaps for the same reason that Hollywood has for decades produced movies which leave us wondering, “Could it be true?” Riddles and clues in the form of cryptic signs and symbols guided Indiana Jones, Robert Langdon in The Da Vinci Code, Ben Gates in National Treasure; Sherlock Holmes, Inspector Jacques Clouseau, and James Bond.

I am moved by this line of thinking as I have recently begun to read “Man and his Symbols” with opening chapter and edited by Carl Jung; by my travel this year to Kenya, Ghana, Turkey, and England; and with the final effort now being applied to iConji, a language of symbols for digital communication.

Each day I am here in London, even as a native English speaker, I take note of the signs for city bus, Underground, STOP, ‘mind the gap’, NO SMOKING, toilet, ATM, and cafe.

Even with the rise of English as a dominant language in international commerce and travel, as metropolitan areas gain speakers of a greater number of languages, it is universal signs that continue to grow as the simplest, most powerful means of attracting the desired attention.

In the U.S. too, I have noticed an increase in the use of signs and symbols in billboard and poster advertising. One such ad in the Denver International Airport for a university has only signs, no words, to make clear it’s communication. A shop on East McDowell road in Phoenix too has a roadside billboard which uses character representations to communicate the services provided.

As with the IBM logo, open logos force the human mind to close the gap, to complete the story and when accomplished, the image is held with a greater level of intensity and meaning.

We are visual creatures, emotionally moved by what we perceive with our eyes. Since the first time we as a species could manipulate our surroundings, we have left art to visually record our stories, to direct and to caution. As the meaning of signs may change as generations pass, what universal sign do we leave as a warning to those who may discover our buried nuclear waste ten thousand years from now?

I believe our future, as much as our past, will be communicated and recorded with signs while the fundamental nature of being human will continue to give power to symbols. No level of education, no foundation of science will ever completely erase our core need, as a species, to find meaning in symbols.

But if what Jung wrote is true, that a symbol cannot be invented by a single person, then are all symbols intrinsic and eternal? Or can new symbols be incorporated into the human psyche?

Only time will tell …

By |2017-04-10T11:17:45-04:00January 19th, 2010|Critical Thinker, Humans & Technology|0 Comments
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